- Denotation
- Connotation
- Anchorage
- What this tells us about who/what is represented
Hall and ideology
- Hall believes that the media reflects dominant ideologies, and the majority of mass media artefacts reinforce generally agreed messages around gender, culture / ethnicity, consumerism, the family, social class and so on. Some artefacts are polysemic (more than two meanings), but most have a limited number of readings, favouring a preferred audience reading.
- Some audiences take a negotiated position.
- A small minority might make an oppositional reading.
Prince William Front Cover
- Dominant: "Prince Charming", Archetype, Privilege - royal
- Oppositional: Republican - Anti-monarchy, What does the prince know about homelessness
Bake Off Front Cover
- Intertextuality - to Trump
- Dominant: Britishness - a "mythical" version, safe, homely
- Oppositional: all white, not diverse
Gauntlett - a post modern approach
- Identity is complicated
- Building your own identity. No fixed representations
- Post-modern/ mix and match approach
- Might link to intertextuality: explicit reference to other media products, where the meaning is only apparent in reference to this other text (inter-text).
- Van Zoonen: Women’s bodies as objects
- Men’s bodies as spectacle
- Gender performativity: what we do rather than what we are
- Gender is contextual
- Bell Hooks: intersectionality. (Black female) audience to develop an “oppositional gaze.” This refuses to identify with characters
Madonna Front Cover
- Portfolio - objectified, sexual
- Contrasts with Big Issue where "uncovered" does not link to her sexuality and she is visibly older.
Gilroy and post-colonialism
- Diaspora* has constructed a transatlantic culture
- “Other”ness: most non-white representations emphasise otherness (from white, middle-class, male dominant representations), rather than any inherent characteristics
- (* originates from the movement of Jewish people from middle east Europe, later USA. Refers now to movement of immigrants to the west.)
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